It is evident that art is not going to redeem us—and it is not its function to do so.

JUST WINNERS!
Lukas Novak
2017

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

What Else You Got

Not paying interns may sound like a bagatelle but it can also be interpreted as a symptom of an ill profession.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Buy, Sell, Love
Michael Paul Romstöck
2016

Haven’t We Always Been Precarious?

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

Je sais, mais quand même

The Capital Standard
Fabio Lattanzi Antinori
2018

It is necessary to promote and ensure the democratic “distribution of the sensible”.

facade suspended
Pieter Paul Pothoven
2018
FOREVER RIDE OR DIE
Geovanna Gonzalez
2018

Cultural Workers Unite!

Loading...

No more pages to load