Problematizing Rubens’ Winter

Je sais, mais quand même

Precarious body/images

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

It is evident that art is not going to redeem us—and it is not its function to do so.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?