Rituals of Resistance #1
Kay Walkowiak
2017
Always Watching Over You (Powder Pink)
Patrick Colhoun
2018

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Precarious body/images

Statue of Liberty
Elmgreen & Dragset
2018
Eigenbahn
Alicja Kwade
2018
IR-X Nude
Tobi Siebrecht
2018

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Clumsy and Milky; Encoding the Last Quarter of a Pose
Michele Gabriele
2018

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

It is evident that art is not going to redeem us—and it is not its function to do so.

facade suspended
Pieter Paul Pothoven
2018
I Would Like To Be A Better Person
Marta Navaridas
2018
Beltdecke #4
Monica Bonvicini
2017

07 PRECARIOUSNESS

Perseverance in the Absurdity (film stills)
James Joyce
2018
The Capital Standard
Fabio Lattanzi Antinori
2018

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Buy, Sell, Love
Michael Paul Romstöck
2016

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