The Capital Standard
Fabio Lattanzi Antinori
2018
JUST WINNERS!
Lukas Novak
2017
facade suspended
Pieter Paul Pothoven
2018

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

GUESTLIST
Eike König
2018
Breathing
Monica Bonvicini
2018

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Cultural Workers Unite!

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

FOREVER RIDE OR DIE
Geovanna Gonzalez
2018
Beltdecke #4
Monica Bonvicini
2017

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Perseverance in the Absurdity (film stills)
James Joyce
2018

Je sais, mais quand même

I Would Like To Be A Better Person
Marta Navaridas
2018
Rituals of Resistance #1
Kay Walkowiak
2017
Elvira
Ariel Schlesinger
2017

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Always Watching Over You (Powder Pink)
Patrick Colhoun
2018
Rituals of Resistance #7
Kay Walkowiak
2017

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