Cultural Workers Unite!

IR-X Nude
Tobi Siebrecht
2018
Sans-titre (Limite 2)
Mathias Euwer
2016

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Rituals of Resistance #1
Kay Walkowiak
2017

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Always Watching Over You (Powder Pink)
Patrick Colhoun
2018

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

FOREVER RIDE OR DIE
Geovanna Gonzalez
2018
GUESTLIST
Eike König
2018
Statue of Liberty
Elmgreen & Dragset
2018

Je sais, mais quand même

It is evident that art is not going to redeem us—and it is not its function to do so.

I Would Like To Be A Better Person
Marta Navaridas
2018
facade suspended
Pieter Paul Pothoven
2018
The Capital Standard
Fabio Lattanzi Antinori
2018

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Governmental Precarization

Buy, Sell, Love
Michael Paul Romstöck
2016

07 PRECARIOUSNESS

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