FOREVER RIDE OR DIE
Geovanna Gonzalez
2018
Beltdecke #4
Monica Bonvicini
2017
Buy, Sell, Love
Michael Paul Romstöck
2016

It is evident that art is not going to redeem us—and it is not its function to do so.

Eigenbahn
Alicja Kwade
2018

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

Je sais, mais quand même

07 PRECARIOUSNESS

Breathing
Monica Bonvicini
2018
facade suspended
Pieter Paul Pothoven
2018

Cultural Workers Unite!

I Would Like To Be A Better Person
Marta Navaridas
2018

Problematizing Rubens’ Winter

Clumsy and Milky; Encoding the Last Quarter of a Pose
Michele Gabriele
2018
IR-X Nude
Tobi Siebrecht
2018
Elvira
Ariel Schlesinger
2017

Governmental Precarization

It is necessary to promote and ensure the democratic “distribution of the sensible”.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

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