It is necessary to promote and ensure the democratic “distribution of the sensible”.

It is evident that art is not going to redeem us—and it is not its function to do so.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Je sais, mais quand même

Cultural Workers Unite!