Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Je sais, mais quand même

Haven’t We Always Been Precarious?

FOREVER RIDE OR DIE
Geovanna Gonzalez
2018
Sans-titre (Limite 2)
Mathias Euwer
2016
Perseverance in the Absurdity (film stills)
James Joyce
2018

Precarious body/images

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Always Watching Over You (Powder Pink)
Patrick Colhoun
2018

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Problematizing Rubens’ Winter

It is evident that art is not going to redeem us—and it is not its function to do so.

Cultural Workers Unite!

I Would Like To Be A Better Person
Marta Navaridas
2018

Governmental Precarization

JUST WINNERS!
Lukas Novak
2017

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

GUESTLIST
Eike König
2018

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

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