Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

FOREVER RIDE OR DIE
Geovanna Gonzalez
2018
IR-X Nude
Tobi Siebrecht
2018
Buy, Sell, Love
Michael Paul Romstöck
2016

Governmental Precarization

Breathing
Monica Bonvicini
2018
Elvira
Ariel Schlesinger
2017
Rituals of Resistance #7
Kay Walkowiak
2017
Always Watching Over You (Powder Pink)
Patrick Colhoun
2018

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

07 PRECARIOUSNESS

Access to Tools (Bondage Baggage)
Maia Ruth-Lee
2018

Problematizing Rubens’ Winter

Cultural Workers Unite!

Je sais, mais quand même

Sans-titre (Limite 2)
Mathias Euwer
2016
facade suspended
Pieter Paul Pothoven
2018
Statue of Liberty
Elmgreen & Dragset
2018

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Eigenbahn
Alicja Kwade
2018

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