Buy, Sell, Love
Michael Paul Romstöck
2016
JUST WINNERS!
Lukas Novak
2017
The Capital Standard
Fabio Lattanzi Antinori
2018

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Governmental Precarization

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

facade suspended
Pieter Paul Pothoven
2018
GUESTLIST
Eike König
2018
IR-X Nude
Tobi Siebrecht
2018
Clumsy and Milky; Encoding the Last Quarter of a Pose
Michele Gabriele
2018

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Always Watching Over You (Powder Pink)
Patrick Colhoun
2018

Cultural Workers Unite!

Elvira
Ariel Schlesinger
2017
Eigenbahn
Alicja Kwade
2018

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Sans-titre (Limite 2)
Mathias Euwer
2016
Perseverance in the Absurdity (film stills)
James Joyce
2018

It is evident that art is not going to redeem us—and it is not its function to do so.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

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