JUST WINNERS!
Lukas Novak
2017

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Perseverance in the Absurdity (film stills)
James Joyce
2018

Governmental Precarization

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

facade suspended
Pieter Paul Pothoven
2018

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

07 PRECARIOUSNESS

Sans-titre (Limite 2)
Mathias Euwer
2016
Eigenbahn
Alicja Kwade
2018

Haven’t We Always Been Precarious?

Rituals of Resistance #1
Kay Walkowiak
2017
Breathing
Monica Bonvicini
2018

It is evident that art is not going to redeem us—and it is not its function to do so.

The Capital Standard
Fabio Lattanzi Antinori
2018

Problematizing Rubens’ Winter

GUESTLIST
Eike König
2018
Beltdecke #4
Monica Bonvicini
2017

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

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