Je sais, mais quand même

I Would Like To Be A Better Person
Marta Navaridas
2018

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Elvira
Ariel Schlesinger
2017
facade suspended
Pieter Paul Pothoven
2018

We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

GUESTLIST
Eike König
2018
Access to Tools (Bondage Baggage)
Maia Ruth-Lee
2018
Buy, Sell, Love
Michael Paul Romstöck
2016
Statue of Liberty
Elmgreen & Dragset
2018

07 PRECARIOUSNESS

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Beltdecke #4
Monica Bonvicini
2017

Governmental Precarization

Rituals of Resistance #7
Kay Walkowiak
2017

Cultural Workers Unite!

It is necessary to promote and ensure the democratic “distribution of the sensible”.

The Capital Standard
Fabio Lattanzi Antinori
2018
Eigenbahn
Alicja Kwade
2018

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