How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Clumsy and Milky; Encoding the Last Quarter of a Pose
Michele Gabriele
2018
Breathing
Monica Bonvicini
2018
Perseverance in the Absurdity (film stills)
James Joyce
2018
facade suspended
Pieter Paul Pothoven
2018

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Cultural Workers Unite!

Buy, Sell, Love
Michael Paul Romstöck
2016
The Capital Standard
Fabio Lattanzi Antinori
2018
Beltdecke #4
Monica Bonvicini
2017
Elvira
Ariel Schlesinger
2017

Haven’t We Always Been Precarious?

JUST WINNERS!
Lukas Novak
2017
Statue of Liberty
Elmgreen & Dragset
2018
Always Watching Over You (Powder Pink)
Patrick Colhoun
2018

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Precarious body/images

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Governmental Precarization

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