In art one can identify the issue of corruption as a matter of disconnection and non-representation.
Avant-garde’s opponent is not waiting on the other side of the battlefield. It resides within the own troop.
Individuals, unlike market bonds or particles, are tied by values, expectations, beliefs, cosmologies and references that define their identity.
The perfect dictatorship begins when the regime turns people spying on themselves, vigilant, infamous. Anytime, anywhere, the other is not a we.
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