our bodies: are accessories to zeros and ones

Zero
Simon Freund
2017
Studio Visit
Theo Triantafyllidis
2018

Was heute „Normcore“ heißt, ist eine Neuauflage dessen, was in den neunziger Jahren als „Anti-Fashion“ bezeichnet wurde.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

Installation View Dominikanerkirche Krems
Eva Schlegel
2018

Through artistic performativity, daily routine has become the theatre of all of us, the manifestation of the creative expression of everyone.

Comb
Simon Freund
2015

Learning From Athens: Gestures of Multi Touch

Reguetón Theory

Material Matters: On Transparency in Art and Politics

Maze

06 AVANT-GARDE

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Citizens of Nowhere
Yuri Pattison
2017

Repetition is not different to the pathos of a “creative destruction”.

What is it that you want to be when you want to be an artist?

Bau II (series)
Tobias Faisst
2016

In art one can identify the issue of corruption as a matter of disconnection and non-representation.

The Grass Is Always Greener on the Other Side
Koos Breen
2017

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