Milky Way, Berlin
Maxime Ballesteros
2016

beyond chance and control

Showcase
Max Salzborn
2017

Der fortschrittliche Zeitpfeil biegt sich zu Kreisen und
so kehrt auch die These der Peak Art wieder.

Gab es hier ein Tabu?

Undercurrents (film stills)
Albert Omoss
2017
My Voice Found The Words I Sought
Colin Doerffler
2017

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

An Epilogue for OTRO TEATRO: True Love
Luciana Achugar
2016

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Indices of existence – memories of the unseen
Renata Darabant
2015
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018
Cosmic Generator (working title)
Mika Rottenberg
2017

MODULE#08 [A STATE OF FLUX]

Art and aesthetics are a kind of problematic equation, perhaps a forgotten or even interrupted relationship that has to be reconsidered over and over again.

We are gonna play the rest of this night out in motherfucking peace. Does anyone have a problem with that?
Owen Thackeray
2018
Heaven and Earth (Sternbau No. 2)
Lee Bul
2007

Isn’t pleasure an important form of knowledge? Is vanity a devil in these practices? Vanity is built-in to all of us. It is a feature; not a bug. Self-preservation.

Below the Asphalt Lies the Beach

Slug Horizons
Florence Peake And Eve Stainton
2018

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