Je sais, mais quand même

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Contemporary Aesthetic Experience

Wie prägen die technischen Interfaces unseren Blick?

The cybernetic dream of Norbert Wiener is nearly coming true.

Governmental Precarization


Die Welt zu Gast im Teutoburger Wald

Art is aperture of the world.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Die Währung des Wortes

Problematizing Rubens’ Winter

Autonomy and Negation in Theodor W. Adorno

It is necessary to promote and ensure the democratic “distribution of the sensible”.

The Hegemony of the Vision Machine

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.


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