The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Autonomy and Negation in Theodor W. Adorno

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Die Welt zu Gast im Teutoburger Wald

Governmental Precarization

The cybernetic dream of Norbert Wiener is nearly coming true.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Repetition is not different to the pathos of a “creative destruction”.

Un_bewegt

Wie prägen die technischen Interfaces unseren Blick?

Stimme und Verfremdung am Theater

Le Désir attrapé par la queue

Problematizing Rubens’ Winter

Die Währung des Wortes

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

Contemporary Aesthetic Experience

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.