Aesthetics: And Smooth and Striated Space, 572-82.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Art is aperture of the world.

To Much Future/To Much Time

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The cybernetic dream of Norbert Wiener is nearly coming true.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Un_bewegt

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Autonomy and Negation in Theodor W. Adorno

Problematizing Rubens’ Winter

Towards a New Art Criticism From Latin America

Wie prägen die technischen Interfaces unseren Blick?

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Governmental Precarization

The smooth space is a space without fixed perspective.

Precarious body/images

(De)generative Art: Rules-transgressing Algorithms

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.