The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.


The Hegemony of the Vision Machine

(De)generative Art: Rules-transgressing Algorithms

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Repetition is not different to the pathos of a “creative destruction”.

To Much Future/To Much Time

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Governmental Precarization

Contemporary Aesthetic Experience

Precarious body/images

Towards a New Art Criticism From Latin America

Haven’t We Always Been Precarious?

Aesthetics: And Smooth and Striated Space, 572-82.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday


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