(De)generative Art: Rules-transgressing Algorithms

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Die Währung des Wortes

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Art is aperture of the world.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Wie prägen die technischen Interfaces unseren Blick?

Dance-Mania

Stimme und Verfremdung am Theater

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

The cybernetic dream of Norbert Wiener is nearly coming true.

Haven’t We Always Been Precarious?

Governmental Precarization

Je sais, mais quand même

The Hegemony of the Vision Machine