Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Art is aperture of the world.

Le Désir attrapé par la queue

Problematizing Rubens’ Winter

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Repetition is not different to the pathos of a “creative destruction”.

The smooth space is a space without fixed perspective.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

(De)generative Art: Rules-transgressing Algorithms

Contemporary Aesthetic Experience

To Much Future/To Much Time

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Wie prägen die technischen Interfaces unseren Blick?

Autonomy and Negation in Theodor W. Adorno

Die Welt zu Gast im Teutoburger Wald

The Hegemony of the Vision Machine