Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Die Welt zu Gast im Teutoburger Wald

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Haven’t We Always Been Precarious?

Problematizing Rubens’ Winter

Precarious body/images

Situated Speculations

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

(De)generative Art: Rules-transgressing Algorithms

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The Hegemony of the Vision Machine

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Governmental Precarization

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Je sais, mais quand même

Un_bewegt

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

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