Repetition is not different to the pathos of a “creative destruction”.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Precarious body/images

It is necessary to promote and ensure the democratic “distribution of the sensible”.


Algorithms still lack notions of ethics and excess, without which transgression is not possible.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Haven’t We Always Been Precarious?

The Hegemony of the Vision Machine

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

The cybernetic dream of Norbert Wiener is nearly coming true.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Governmental Precarization

Je sais, mais quand même

Stimme und Verfremdung am Theater

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Towards a New Art Criticism From Latin America


No more pages to load