Aesthetics: And Smooth and Striated Space, 572-82.

Governmental Precarization

To Much Future/To Much Time

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Towards a New Art Criticism From Latin America

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Haven’t We Always Been Precarious?

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Stimme und Verfremdung am Theater

Die Welt zu Gast im Teutoburger Wald

(De)generative Art: Rules-transgressing Algorithms

The smooth space is a space without fixed perspective.

Situated Speculations

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

The Hegemony of the Vision Machine

Je sais, mais quand même