Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The Hegemony of the Vision Machine

Repetition is not different to the pathos of a “creative destruction”.

Le Désir attrapé par la queue

Un_bewegt

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Situated Speculations

Contemporary Aesthetic Experience

(De)generative Art: Rules-transgressing Algorithms

Wie prägen die technischen Interfaces unseren Blick?

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

It is necessary to promote and ensure the democratic “distribution of the sensible”.

The cybernetic dream of Norbert Wiener is nearly coming true.

Precarious body/images

Je sais, mais quand même

Die Welt zu Gast im Teutoburger Wald

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.