Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Aesthetics: And Smooth and Striated Space, 572-82.

To Much Future/To Much Time

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Haven’t We Always Been Precarious?

Le Désir attrapé par la queue

Die Welt zu Gast im Teutoburger Wald

Contemporary Aesthetic Experience

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Towards a New Art Criticism From Latin America

Dance-Mania

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Un_bewegt