One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

To Much Future/To Much Time

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Precarious body/images

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

The Hegemony of the Vision Machine

The smooth space is a space without fixed perspective.

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Die Welt zu Gast im Teutoburger Wald

Stratigraphische Bilder. Neue Ästhetiken der Montage?

It is necessary to promote and ensure the democratic “distribution of the sensible”.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.


Wie prägen die technischen Interfaces unseren Blick?

Situated Speculations

Je sais, mais quand même

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.


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