Towards a New Art Criticism From Latin America

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Problematizing Rubens’ Winter

Le Désir attrapé par la queue

The Hegemony of the Vision Machine

Aesthetics: And Smooth and Striated Space, 572-82.

Art is aperture of the world.

Algorithms still lack notions of ethics and excess, without which transgression is not possible.


Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Stimme und Verfremdung am Theater

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

(De)generative Art: Rules-transgressing Algorithms

Precarious body/images

Governmental Precarization

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Haven’t We Always Been Precarious?


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