Repetition is not different to the pathos of a “creative destruction”.

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Problematizing Rubens’ Winter

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Contemporary Aesthetic Experience

The smooth space is a space without fixed perspective.

The Hegemony of the Vision Machine

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

The cybernetic dream of Norbert Wiener is nearly coming true.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Autonomy and Negation in Theodor W. Adorno

To Much Future/To Much Time

Precarious body/images

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Die Welt zu Gast im Teutoburger Wald

Towards a New Art Criticism From Latin America

Aesthetics: And Smooth and Striated Space, 572-82.

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