The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The smooth space is a space without fixed perspective.

Precarious body/images

Governmental Precarization


Repetition is not different to the pathos of a “creative destruction”.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Haven’t We Always Been Precarious?

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Le Désir attrapé par la queue

The cybernetic dream of Norbert Wiener is nearly coming true.

Shimmery Skin Entangled It Grows

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

(De)generative Art: Rules-transgressing Algorithms

Situated Speculations


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