It is necessary to promote and ensure the democratic “distribution of the sensible”.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Art is aperture of the world.

Haven’t We Always Been Precarious?

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Situated Speculations

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Stimme und Verfremdung am Theater

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Aesthetics: And Smooth and Striated Space, 572-82.

Dance-Mania

Problematizing Rubens’ Winter

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Die Welt zu Gast im Teutoburger Wald

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Autonomy and Negation in Theodor W. Adorno

Le Désir attrapé par la queue

Precarious body/images