Algorithms still lack notions of ethics and excess, without which transgression is not possible.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Repetition is not different to the pathos of a “creative destruction”.

Contemporary Aesthetic Experience

Autonomy and Negation in Theodor W. Adorno

Situated Speculations

To Much Future/To Much Time

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Problematizing Rubens’ Winter

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Shimmery Skin Entangled It Grows

Die Welt zu Gast im Teutoburger Wald

The smooth space is a space without fixed perspective.

Governmental Precarization

Aesthetics: And Smooth and Striated Space, 572-82.

Towards a New Art Criticism From Latin America

The cybernetic dream of Norbert Wiener is nearly coming true.