Je sais, mais quand même

Un_bewegt

Towards a New Art Criticism From Latin America

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Stimme und Verfremdung am Theater

Dance-Mania

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

The smooth space is a space without fixed perspective.

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Wie prägen die technischen Interfaces unseren Blick?

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

The Hegemony of the Vision Machine

Repetition is not different to the pathos of a “creative destruction”.

Problematizing Rubens’ Winter

Shimmery Skin Entangled It Grows

Die Welt zu Gast im Teutoburger Wald

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

(De)generative Art: Rules-transgressing Algorithms