Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Towards a New Art Criticism From Latin America


Problematizing Rubens’ Winter

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Stimme und Verfremdung am Theater

Je sais, mais quand même

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Contemporary Aesthetic Experience

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

To Much Future/To Much Time

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Aesthetics: And Smooth and Striated Space, 572-82.

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

Repetition is not different to the pathos of a “creative destruction”.


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