Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Haven’t We Always Been Precarious?

Art is aperture of the world.

Problematizing Rubens’ Winter

Wie prägen die technischen Interfaces unseren Blick?

Je sais, mais quand même

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Precarious body/images

(De)generative Art: Rules-transgressing Algorithms

Contemporary Aesthetic Experience

Stimme und Verfremdung am Theater

The cybernetic dream of Norbert Wiener is nearly coming true.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Governmental Precarization

Repetition is not different to the pathos of a “creative destruction”.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.