Algorithms still lack notions of ethics and excess, without which transgression is not possible.

(De)generative Art: Rules-transgressing Algorithms

Towards a New Art Criticism From Latin America

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Stimme und Verfremdung am Theater

Le Désir attrapé par la queue

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Dance-Mania

Governmental Precarization

To Much Future/To Much Time

Shimmery Skin Entangled It Grows

Situated Speculations

Art is aperture of the world.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

The smooth space is a space without fixed perspective.