Stratigraphische Bilder. Neue Ästhetiken der Montage?

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Je sais, mais quand même

Wie prägen die technischen Interfaces unseren Blick?

It is necessary to promote and ensure the democratic “distribution of the sensible”.

To Much Future/To Much Time

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Towards a New Art Criticism From Latin America

Art is aperture of the world.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Aesthetics: And Smooth and Striated Space, 572-82.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

The smooth space is a space without fixed perspective.

Precarious body/images

Un_bewegt

Governmental Precarization

Repetition is not different to the pathos of a “creative destruction”.

Stimme und Verfremdung am Theater