Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Situated Speculations

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Art is aperture of the world.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Problematizing Rubens’ Winter

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Haven’t We Always Been Precarious?

Wie prägen die technischen Interfaces unseren Blick?

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Stimme und Verfremdung am Theater

Contemporary Aesthetic Experience

Shimmery Skin Entangled It Grows

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

The Hegemony of the Vision Machine

Die Währung des Wortes

Le Désir attrapé par la queue