One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Situated Speculations

The Hegemony of the Vision Machine

Die Währung des Wortes

Shimmery Skin Entangled It Grows

Governmental Precarization

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Die Welt zu Gast im Teutoburger Wald

Haven’t We Always Been Precarious?

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

The smooth space is a space without fixed perspective.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

(De)generative Art: Rules-transgressing Algorithms

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Un_bewegt

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.