The Hegemony of the Vision Machine

Repetition is not different to the pathos of a “creative destruction”.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Haven’t We Always Been Precarious?

(De)generative Art: Rules-transgressing Algorithms

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Autonomy and Negation in Theodor W. Adorno

Situated Speculations

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Un_bewegt

Je sais, mais quand même

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Shimmery Skin Entangled It Grows

Le Désir attrapé par la queue

Die Währung des Wortes

The smooth space is a space without fixed perspective.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.