Precarious body/images

Autonomy and Negation in Theodor W. Adorno

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Stimme und Verfremdung am Theater

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

Repetition is not different to the pathos of a “creative destruction”.

Aesthetics: And Smooth and Striated Space, 572-82.

Dance-Mania

Towards a New Art Criticism From Latin America

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

The cybernetic dream of Norbert Wiener is nearly coming true.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Un_bewegt

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Stratigraphische Bilder. Neue Ästhetiken der Montage?