Die Welt zu Gast im Teutoburger Wald

The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019

To Much Future/To Much Time

Repetition is not different to the pathos of a “creative destruction”.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

Alicja Kwade

Saturnine
Martin Maeller
2019
marine snow (scuro-scuro)
Giulia Cenci
2019
IOIO (film stills)
Jesse Johanning & Monogrowl
2019

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Alicja Kwade | Studio Visit
Louis De Belle
2019
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018

011 TIME

Unintended Portrait (series)
Alina Frieske
2018

The quest of an artist is to release dialectics between the practice and its time.

Algorithmic Form (series)
Daniele De Batté
2019
Vulnerable Lingua
Camilla Steinum
2018

Prozessualisierung der Kunst

Light Touch of Totality
Alicja Kwade
2019

House Taken Over

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