Unintended Portrait (series)
Alina Frieske
2018
marine snow (scuro-scuro)
Giulia Cenci
2019
Mama (series)
Anna Breit
2019

To Much Future/To Much Time

Die Welt zu Gast im Teutoburger Wald

Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018
IOIO (film stills)
Jesse Johanning & Monogrowl
2019
Light Touch of Totality
Alicja Kwade
2019
Saturnine
Martin Maeller
2019

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Repetition is not different to the pathos of a “creative destruction”.

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

House Taken Over

The Clock (film stills)
Christian Marclay
2010
Untitled
Davide Zucco
2015

011 TIME

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

Vulnerable Lingua
Camilla Steinum
2018
The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019

Loading...

No more pages to load