As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Repetition is not different to the pathos of a “creative destruction”.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

House Taken Over

Die Welt zu Gast im Teutoburger Wald

Vulnerable Lingua
Camilla Steinum
2018
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018
Light Touch of Totality
Alicja Kwade
2019
Alicja Kwade | Studio Visit
Louis De Belle
2019
marine snow (scuro-scuro)
Giulia Cenci
2019

The quest of an artist is to release dialectics between the practice and its time.

Algorithmic Form (series)
Daniele De Batté
2019
IOIO (film stills)
Jesse Johanning & Monogrowl
2019
Black Plant
Davide Zucco
2015

To Much Future/To Much Time

The Clock (film stills)
Christian Marclay
2010
Unintended Portrait (series)
Alina Frieske
2018

011 TIME

Alicja Kwade

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