Prozessualisierung der Kunst

Die Welt zu Gast im Teutoburger Wald

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

Alicja Kwade

House Taken Over

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

011 TIME

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

To Much Future/To Much Time

Repetition is not different to the pathos of a “creative destruction”.

The quest of an artist is to release dialectics between the practice and its time.