The quest of an artist is to release dialectics between the practice and its time.

Algorithmic Form (series)
Daniele De Batté
2019
Vulnerable Lingua
Camilla Steinum
2018
marine snow (scuro-scuro)
Giulia Cenci
2019

To Much Future/To Much Time

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

011 TIME

The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019
Black Plant
Davide Zucco
2015

House Taken Over

Alicja Kwade | Studio Visit
Louis De Belle
2019

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Repetition is not different to the pathos of a “creative destruction”.

Mama (series)
Anna Breit
2019

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Untitled
Davide Zucco
2015
Unintended Portrait (series)
Alina Frieske
2018

Alicja Kwade

IOIO (film stills)
Jesse Johanning & Monogrowl
2019

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

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