Repetition is not different to the pathos of a “creative destruction”.

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

House Taken Over

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

To Much Future/To Much Time

The quest of an artist is to release dialectics between the practice and its time.

Die Welt zu Gast im Teutoburger Wald