House Taken Over

Saturnine
Martin Maeller
2019

The quest of an artist is to release dialectics between the practice and its time.

Mama (series)
Anna Breit
2019
The Clock (film stills)
Christian Marclay
2010

Prozessualisierung der Kunst

Algorithmic Form (series)
Daniele De Batté
2019
Vulnerable Lingua
Camilla Steinum
2018

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

To Much Future/To Much Time

marine snow (scuro-scuro)
Giulia Cenci
2019
Light Touch of Totality
Alicja Kwade
2019
IOIO (film stills)
Jesse Johanning & Monogrowl
2019
The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Alicja Kwade

Repetition is not different to the pathos of a “creative destruction”.

Black Plant
Davide Zucco
2015

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