Untitled
Davide Zucco
2015

Prozessualisierung der Kunst

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Unintended Portrait (series)
Alina Frieske
2018

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019
Alicja Kwade | Studio Visit
Louis De Belle
2019
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018
marine snow (scuro-scuro)
Giulia Cenci
2019
The Clock (film stills)
Christian Marclay
2010

To Much Future/To Much Time

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

House Taken Over

Die Welt zu Gast im Teutoburger Wald

The quest of an artist is to release dialectics between the practice and its time.

Alicja Kwade

IOIO (film stills)
Jesse Johanning & Monogrowl
2019
Light Touch of Totality
Alicja Kwade
2019

Repetition is not different to the pathos of a “creative destruction”.

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