Repetition is not different to the pathos of a “creative destruction”.

Saturnine
Martin Maeller
2019
The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

Untitled
Davide Zucco
2015

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Mama (series)
Anna Breit
2019
The Clock (film stills)
Christian Marclay
2010
Light Touch of Totality
Alicja Kwade
2019
Alicja Kwade | Studio Visit
Louis De Belle
2019
Algorithmic Form (series)
Daniele De Batté
2019
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018

House Taken Over

011 TIME

Black Plant
Davide Zucco
2015
IOIO (film stills)
Jesse Johanning & Monogrowl
2019
marine snow (scuro-scuro)
Giulia Cenci
2019
Vulnerable Lingua
Camilla Steinum
2018

The quest of an artist is to release dialectics between the practice and its time.

Loading...

No more pages to load