Repetition is not different to the pathos of a “creative destruction”.

Saturnine
Martin Maeller
2019

Time also flows, as in the verse of the Spanish poet Miguel de Unamuno: from the eternal tomorrow.

Vulnerable Lingua
Camilla Steinum
2018

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Algorithmic Form (series)
Daniele De Batté
2019
Black Plant
Davide Zucco
2015
IOIO (film stills)
Jesse Johanning & Monogrowl
2019

House Taken Over

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Nicht nur kommt die Idealisierung des Prozesses der naiven Neugierde des Kunstliebhabers entgegen und ermutigt den Dilettanten in seinem selbstherrlichen Unvermögen.

Alicja Kwade | Studio Visit
Louis De Belle
2019

To Much Future/To Much Time

marine snow (scuro-scuro)
Giulia Cenci
2019

The quest of an artist is to release dialectics between the practice and its time.

Light Touch of Totality
Alicja Kwade
2019
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018

Die Welt zu Gast im Teutoburger Wald

The Clock (film stills)
Christian Marclay
2010
Mama (series)
Anna Breit
2019

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