Exoskin
Szilvia Bolla
2018
The Pool (film stills)
Marlies Pöschl
2014

The Avant-garde and the Novel

Heat Quickened
Olivia Kaiser
2017

As far as we can see for now, we are always ending up with the form of a “sphere”: we can see atoms..., we know there is more..., we even assume vibrating strings, but what we actually see is spheres. We are living on one—and I like this...

Dance Capsule #4

Art, like life, needs to be restated constantly and protected daily.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Untitled (but fetishized) Object Nr. 1
David Meran
2019
Rage Fluids
Hannah Perry
2018
Zeit ist keine Autobahn
Michael Sailstorfer
2008
MoMA Presents
Melle June Nieling
2018

Some times when I watch the dancefloor I try to tell whether if those that dance are happier than those that talk

ENTKUNSTUNG II Preface

Anti-Fascist Ballet School

YGRG14X: reading with the single hand V
Dorota Gawęda And Eglė Kulbokaitė
2018
Metacognitive
Monika Gabriela Dorniak
2016

In art one can identify the issue of corruption as a matter of disconnection and non-representation.

If life were completely rational

Stratigraphische Bilder. Neue Ästhetiken der Montage?

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