Curatorial practices co-exist within an abstract system dictated by an algorithm.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

We are too busy with ourselves.

Images are the new opium of the people, and it is worth to say that artists are neither the only nor the most important dealers.

In some ways, the driving force behind my work is failure.

Ventua (self-portrait)
Damselfrau
2018
Untitled (Shelter II)
Jakob Argauer
2018
Untitled (but fetishized) Object Nr. 1
David Meran
2019

#thescreenisnotthelimit

Steel/Mesh (1)
Jason Gringler
2016

Shimmery Skin Entangled It Grows

Revealing Reflections

misunderstanding, Berlin
Maxime Ballesteros
2019
Milky Way, Berlin
Maxime Ballesteros
2016

Liminal Fetish and Diffuse Image at 1350°

Leaning Workbench (T)
Jason Gringler
2016
LAX BAR
Christoph Meier, Ute Müller, Robert Schwarz, Lukas Stopczynski
2019
Jule (self-portrait)
Damselfrau
2018
Jason Gringler, Studio Visit, 2019
Jason Gringler
2019

Jason Gringler

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