In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

In the reality of a room, in which the lover is sitting and staring at the object telephone, images and narrations formed by the forces of fiction interfere.

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Individuals, unlike market bonds or particles, are tied by values, expectations, beliefs, cosmologies and references that define their identity.

In art one can identify the issue of corruption as a matter of disconnection and non-representation.

Images are the new opium of the people, and it is worth to say that artists are neither the only nor the most important dealers.

If life were completely rational

I am interested in taking the path of transformation and self-healing—what I call growing myself a new body, a utopian body—to its end.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

House Taken Over