We propose to create a voluntary Artist Solidarity Fund (ASF) in order to economically secure the cultural field and serve as a utopian model for new progressive forms of solidary politics.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

It is necessary to promote and ensure the democratic “distribution of the sensible”.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

While it is true that it is difficult to think that artistic forms can abolish borders and orders, it is also true that art serves to question, to confront, and to displace them.

08 EMANCIPATION(S)

Below the Asphalt Lies the Beach

Dance Capsule #4

Dance-Mania

(De)generative Art: Rules-transgressing Algorithms

Deliberate Destruction

Emancipation in Three Poetic Acts