The Grass Is Always Greener on the Other Side
Koos Breen
2017

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The feeling that your time Is dwindling

The Edited Body for a Particular Purpose

The digital stucco becomes part of the process of the “emancipation of the sign”.

The Devil’s Drool

The Darkest Flower (film still)
Herwig Scherabon & Pille-Riin-Jaik
2019

The cybernetic dream of Norbert Wiener is nearly coming true.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

The Clock (film stills)
Christian Marclay
2010
The Carrier
Patricia Piccinini
2012
The Capital Standard
Fabio Lattanzi Antinori
2018

The Avant-garde and the Novel

The avant-garde also proved that it is as well about failing.

Thank U For Me Please
Jaana-Kristiina Alakoski
2019
Tender Tender
Michael Dean
2017
Tempo
David Schiesser
2017
Superpills (series)
Tobi Siebrecht
2017
Studio Visit
Theo Triantafyllidis
2018

Stratigraphische Bilder. Neue Ästhetiken der Montage?

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