Chef d’oeufre no. 12 | Unmarked
Stefanie Herr
2017
Purgatory
Aviva Silverman
2019
Paradise Prototype
Stief Desmet
2019

Once the fiction is created, it is convenient to test it in time and space; that is the task of an artist.

Alhazred’s garden
Paco Chanivet
2019

The Devil’s Drool

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Minotaur
Katherina Olschbaur
2019

„Ja ...“ Es gab eine erneute Stille und danach fragte Nínive, in einem dummen Ton: „Und wäre ich dann Königin?“

In the reality of a room, in which the lover is sitting and staring at the object telephone, images and narrations formed by the forces of fiction interfere.

Untitled (Mars Yard)
Marina Gadonneix
2015

Enzyklopädie der Spezies

A divine Hermaphrodite
Katherina Olschbaur
2018
RSVP
Hannah Sophie Dunkelberg
2019

Situated Speculations

Studio Visit
Theo Triantafyllidis
2018

Friction

Maze

Of the countless false certainties that roam the world, art does not subscribe any.

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