Like Cézanne’s Apple, I began to see Electronic Music differently when I realized all the possibilities that were in my reach.

Chef d’oeufre no. 12 | Unmarked
Stefanie Herr
2017
A divine Hermaphrodite
Katherina Olschbaur
2018
Purgatory
Aviva Silverman
2019

Enzyklopädie der Spezies

The Devil’s Drool

Studio Visit
Theo Triantafyllidis
2018

she would ignore she would sniff she would kill she would forget

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

In the reality of a room, in which the lover is sitting and staring at the object telephone, images and narrations formed by the forces of fiction interfere.

Sanctum
Levi van Veluw
2019
Chef d’oeufre no. 38 | Unmarked
Stefanie Herr
2017

Gab es hier ein Tabu?

Maze

Metacognitive
Monika Gabriela Dorniak
2016

Danke, Kapitel 8-9

Of the countless false certainties that roam the world, art does not subscribe any.

Fount ain
Sif Itona Westerberg
2019

Looking up there would only wreck
 your soft neck I like to bite into when we fuck.

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