Raping the Reader: Politics as Disturbance

Eigenbahn
Alicja Kwade
2018
The Clock (film stills)
Christian Marclay
2010
After A Life Ahead
Pierre Huyghe
2017

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Trans-For-Men 8 (Fibonacci)
Alicja Kwade
2018
RSVP
Hannah Sophie Dunkelberg
2019

The repetition did not drain my sound however: it converted it to something gradually more familiar: from a song to a foil: to a membrane of my own.

Against Nature

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

ENTKUNSTUNG III Editors' Note

The Taste of Participation

There is a fine line between destruction as creative or nihilistic act—and it all comes down to the ideas behind it.

Exoskin
Szilvia Bolla
2018
A Sudden Blush, A Shallow Breath and Vacant
Jonny Niesche
2018
marine snow (scuro-scuro)
Giulia Cenci
2019

The avant-garde also proved that it is as well about failing.

Images are the new opium of the people, and it is worth to say that artists are neither the only nor the most important dealers.

Zur Ästhetik des Normalen in der Mode

12 FICTION(S)

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