Untitled (dead space)
David Hanes
2017
Untitled (but fetishized) Object Nr. 1
David Meran
2019
Untitled
Davide Zucco
2015

Universal Hard Drive

Unintended Portrait (series)
Alina Frieske
2018

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Undercurrents (film stills)
Albert Omoss
2017
Unbuilding Walls
Graft
2018
Twin Towers Horse Shoe Toss
Leah Dixon
2016
turning bones into torches
Nina Kettiger
2017
Turbo
Baptiste Debombourg
2008

TULPA DUSHA

Tripoli Cancelled (film stills)
Naeem Mohaiemen
2017
Transparent
Katharina Schaar
2016
Trans-For-Men 8 (Fibonacci)
Alicja Kwade
2018

Tracing the limits of criticism is not only a question of truth but also a matter of decision.

Tracht
Peter Garmusch
2016

Towards a New Political Paradigm in Times of Social Amnesia

Towards a New Art Criticism From Latin America

Total transparency is only possible through total control—the latter only exists in a dictatorship.

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