In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Hardlines (series)
Daniele De Batté
2018

Dance-Mania

Is the result of biogenetics not that we, “ordinary” humans, effectively are that—humans who don’t know they are not humans, i.e., neuronal machines with self-awareness?

turning bones into torches
Nina Kettiger
2017
Reset (series)
Nicolas Garner
2016

Dance Capsule 02

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Slug Horizons
Florence Peake And Eve Stainton
2018
IOIO (film stills)
Jesse Johanning & Monogrowl
2019

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Artefact(s) (series)
Massimiliano Rossetto
2018

To Much Future/To Much Time

Desire cannot be satisfied because it is defined in lack, but it can be recreated in fantasy.

The Power of Absence

Weaving the Multi-Layered Web of (Digital) Power

Untitled (Shelter II)
Jakob Argauer
2018
Faust
Anne Imhof
2017
From the N-1 Series
Dario Srbic
2014

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