GUESTLIST
Eike König
2018

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

The Taste of Participation

We are gonna play the rest of this night out in motherfucking peace. Does anyone have a problem with that?
Owen Thackeray
2018
Untitled (Shelter II)
Jakob Argauer
2018

Haven’t We Always Been Precarious?

Friction

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Shimmery Skin Entangled It Grows

Light Touch of Totality
Alicja Kwade
2019
Dolce
Lukas Thaler
2018
Arctic Ocean (Northwest off the coast of Ellesmere Island, CAN) 83° 19’ 44.976"N, 79° 18’ 22.957"W, July 17th, 2017
Zaria Forman
2018

Material Matters: On Transparency in Art and Politics

Module#08 [A State Of Flux] / [Motion Marker 01–03]
Daniela Grabosch
2017
Unbuilding Walls
Graft
2018

Entkunstung als Formel kritischer Kunst

Happy Branding
Eike König
2016
Untitled (dead space)
David Hanes
2017
Indices of existence – memories of the unseen
Renata Darabant
2015

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

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