Elvira
Ariel Schlesinger
2017
Eigenbahn
Alicja Kwade
2018

Cultural Workers Unite!

Clumsy and Milky; Encoding the Last Quarter of a Pose
Michele Gabriele
2018
Buy, Sell, Love
Michael Paul Romstöck
2016
Breathing
Monica Bonvicini
2018
Beltdecke #4
Monica Bonvicini
2017
Always Watching Over You (Powder Pink)
Patrick Colhoun
2018
Access to Tools (Bondage Baggage)
Maia Ruth-Lee
2018

07 PRECARIOUSNESS

It is evident that art is not going to redeem us—and it is not its function to do so.

Der Schriftsteller „pur sang“ verabscheut von Herzen jede Methode (auch wenn er sie akzeptiert), Pläne und alles, was bedeuten könnte an ein bestimmtes Verhalten gebunden zu sein.

Contemporary art’s vast roster includes Alicja Kwade who is doing good in becoming a part of today’s avant-garde pretending Bürger was wrong.

The avant-garde also proved that it is as well about failing.

Through artistic performativity, daily routine has become the theatre of all of us, the manifestation of the creative expression of everyone.

Avant-garde’s opponent is not waiting on the other side of the battlefield. It resides within the own troop.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

To be against this manifesto is to be an artist.

El novelista “pur sang” aborrece cordialmente el método (aunque lo acepte), los planes y todo aquello que signifique sujeción a una determinada conducta.

We have accepted, might even support, and surely do facilitate day-by-day authoritarian social structures.

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