The Edited Body for a Particular Purpose

The feeling that your time Is dwindling

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The Grass Is Always Greener on the Other Side
Koos Breen
2017

The Hegemony of the Vision Machine

Their Souls Run Beneath (Volga series)

2017

The perfect dictatorship begins when the regime turns people spying on themselves, vigilant, infamous. Anytime, anywhere, the other is not a we.

The Pool (film stills)
Marlies Pöschl
2014

The Power of Absence

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

The quest of an artist is to release dialectics between the practice and its time.

There is a fine line between destruction as creative or nihilistic act—and it all comes down to the ideas behind it.

There is an *unsatisfied* reason in the experience of art.

The repetition did not drain my sound however: it converted it to something gradually more familiar: from a song to a foil: to a membrane of my own.

The self is full of love relationships, which seem to be things.

The smooth space is a space without fixed perspective.

The Taste of Participation

This is not a fairytale
Bárbara Bulhão and Fábio Colaço
2017

This is no time for uninformed moralistic incompetence.

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