Je sais, mais quand même

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Le Désir attrapé par la queue

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Precarious body/images

Problematizing Rubens’ Winter

Repetition is not different to the pathos of a “creative destruction”.

Shimmery Skin Entangled It Grows

Situated Speculations

Stimme und Verfremdung am Theater

Stratigraphische Bilder. Neue Ästhetiken der Montage?

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

The cybernetic dream of Norbert Wiener is nearly coming true.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The Hegemony of the Vision Machine

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

The smooth space is a space without fixed perspective.

To Much Future/To Much Time


No more pages to load