The Edited Body for a Particular Purpose

Reguetón Theory

From Uncanny Valley with Love

Wieder einmal ist der Schiffbruch zur zentralen Metapher für einen politischen Umbruch und gleichzeitig zur grausamen Realität geworden.

Art and aesthetics are a kind of problematic equation, perhaps a forgotten or even interrupted relationship that has to be reconsidered over and over again.

In art one can identify the issue of corruption as a matter of disconnection and non-representation.

This is no time for uninformed moralistic incompetence.

Exterminating Angel

Liminal Fetish and Diffuse Image at 1350°

One last thing about Kim Kardashian’s instafame: are you surprised that she gets hundreds of thousands of dollars for one sponsored post she uploads? KM: The increase in value of the world of things is directly proportional to the decrease in value of the human world.

Aber können wir es uns als Gesellschaft leisten, auf die Utopie zu verzichten?

Zur Ästhetik des Normalen in der Mode

Entkunstung durch den Plattform- kapitalismus?

Images are the new opium of the people, and it is worth to say that artists are neither the only nor the most important dealers.

All Fires the Fire

Politics means breaking with consistency; it means breaking with what is known and already visible.

There is a fine line between destruction as creative or nihilistic act—and it all comes down to the ideas behind it.

Where else would one feel ecstasies and raptures if not in and with one’s own body?

Something with aesthetic qualities means something that hast the power to seduce.

Total transparency is only possible through total control—the latter only exists in a dictatorship.