In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

Situated Speculations

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Shimmery Skin Entangled It Grows

Dance-Mania

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Repetition is not different to the pathos of a “creative destruction”.

Art is aperture of the world.

The smooth space is a space without fixed perspective.

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

Contemporary Aesthetic Experience

Wie prägen die technischen Interfaces unseren Blick?

Problematizing Rubens’ Winter

Le Désir attrapé par la queue

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Je sais, mais quand même