Contemporary Aesthetic Experience

Le Désir attrapé par la queue

Problematizing Rubens’ Winter

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Un_bewegt

Aesthetics: And Smooth and Striated Space, 572-82.

Situated Speculations

The Hegemony of the Vision Machine

Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The smooth space is a space without fixed perspective.

Autonomy and Negation in Theodor W. Adorno

Repetition is not different to the pathos of a “creative destruction”.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Shimmery Skin Entangled It Grows

Die Währung des Wortes

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday