Shimmery Skin Entangled It Grows

Le Désir attrapé par la queue

It is necessary to promote and ensure the democratic “distribution of the sensible”.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Autonomy and Negation in Theodor W. Adorno

Repetition is not different to the pathos of a “creative destruction”.

The Hegemony of the Vision Machine

Die Währung des Wortes

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Precarious body/images

Towards a New Art Criticism From Latin America

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Un_bewegt

The cybernetic dream of Norbert Wiener is nearly coming true.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Der Teutoburger Wald enthält auch die Selbstverklärung zum edlen, wilden Germanen und lädt darin zur Selbstexotisierung ein.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.