Langsamkeit ist eine zeitgenössische Strategie die (all)gegenwärtige Geschwindingkeit zu reflektieren.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Situated Speculations

Un_bewegt

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Haven’t We Always Been Precarious?

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

It is necessary to promote and ensure the democratic “distribution of the sensible”.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

Precarious body/images

Aesthetics: And Smooth and Striated Space, 572-82.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

The smooth space is a space without fixed perspective.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

To Much Future/To Much Time

Die Währung des Wortes

Die Welt zu Gast im Teutoburger Wald

Towards a New Art Criticism From Latin America

The Hegemony of the Vision Machine