Androids, cyborgs, and avatars are new territories beyond the body’s biological condition. However, these territories ought to be also a discursive extension, where new identities, categories, and values can coexist.

Die Währung des Wortes

Haven’t We Always Been Precarious?

The cybernetic dream of Norbert Wiener is nearly coming true.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Die Stimme dient also nicht nur der Sprachvermittlung, sondern auch als Zeichen des anwesenden Körpers.

Contemporary Aesthetic Experience

Governmental Precarization

Problematizing Rubens’ Winter

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Distanzierung, ihr Ergebnis, legt nicht nur den objektiven Charakter des Kunstwerks frei.

Je sais, mais quand même

Towards a New Art Criticism From Latin America

Un_bewegt

Wie prägen die technischen Interfaces unseren Blick?

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.