Shimmery Skin Entangled It Grows

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

Autonomy and Negation in Theodor W. Adorno

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Towards a New Art Criticism From Latin America

Contemporary Aesthetic Experience

Situated Speculations

Haven’t We Always Been Precarious?

Wie prägen die technischen Interfaces unseren Blick?

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Repetition is not different to the pathos of a “creative destruction”.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Stimme und Verfremdung am Theater

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Problematizing Rubens’ Winter

Die Währung des Wortes

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

The smooth space is a space without fixed perspective.

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.