Precarious body/images

Situated Speculations

The cybernetic dream of Norbert Wiener is nearly coming true.

Le Désir attrapé par la queue

Towards a New Art Criticism From Latin America

Aesthetics: And Smooth and Striated Space, 572-82.

Art is aperture of the world.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Algorithms still lack notions of ethics and excess, without which transgression is not possible.

It is necessary to promote and ensure the democratic “distribution of the sensible”.

One of the tasks of art criticism is 
to make evident the discursive qualities of artistic creation.

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.

Die Welt zu Gast im Teutoburger Wald

Die Währung des Wortes

Haven’t We Always Been Precarious?

Dance-Mania

Repetition is not different to the pathos of a “creative destruction”.

The Hegemony of the Vision Machine

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?